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THANKS TO THESE FINE LABELS FOR PROVIDING MUSIC: ![]()
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THANKS TO THESE FINE LABELS FOR PROVIDING MUSIC: ![]()
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Green was born in Forest City, AR, where he formed a gospel quartet, the Green Brothers, at the age of nine. The group toured throughout the South in the mid-'50s, before the family relocated to Grand Rapids, MI. The Green Brothers continued to perform in Grand Rapids, but Al's father kicked the boy out of the group after he caught his son listening to Jackie Wilson. At the age of 16, Al formed an R&B group, Al Green & the Creations, with several of his high-school friends. Two Creation members, Curtis Rogers and Palmer James, founded their own independent record company, Hot Line Music Journal, and had the group record for the label. By that time, the Creations had been re-named the Soul Mates. The group's first single, "Back Up Train," became a surprise hit, climbing to number five on the R&B charts early in 1968. The Soul Mates attempted to record another hit, but all of their subsequent singles failed to find an audience.
Here is the terrific title track, Back Up Train.
Rudy Ray Moore was also known as the "king of the party records" and released many comedy records throughout the 1960s and 1970s, developing a style even more rude and explicit than contemporaries like Redd Foxx and Richard Pryor. This kept him off of television and major films, but cultivated an enduring fan base. He also guested on Big Daddy Kane's CD Taste of Chocolate, released in 1990.

Their biggest hits were recorded between 1964 and 1967 with the in-house songwriting and production team of Brian Holland, Lamont Dozier and Eddie Holland. Both 1965's "I Can't Help Myself" and 1966's "Reach Out" went to No. 1 on the Billboard pop chart.
Soulbrotha here. And no, you aren't seeing double. What you are looking at is the Jimmy Ruffin album, The Groove Governor. The cover art was "skillz-fully" co-opted by Laffy for This Is Tomorrow, so I figured I would post the album behind the inspiring artwork.
His 1966 hit "What Becomes of the Brokenhearted" was a major success and his most well-known song. The intended follow-up, "East Side West Side", was released only in Australia, however, due to an argument with Motown head Berry Gordy. The song was written by Ron Welser and Flamingos' member Terry Johnson. With his brother David, Ruffin also released a popular cover version of "Stand By Me" (by Ben E. King), taken from the Ruffin Brothers' album, I Am My Brother's Keeper.
Hey, friends! It's been a while since I posted anything, due to way too much to do at work right now. But now it's time for a new post – and by new I actually mean new!
And in an effort to make this transition from sweet, forgotten soul and funk gems to sweet instrumental hiphop beats as easy as possible for all you oldschool vinylheads out there, I asked permission to do some special cover artwork...just to visually ease you into this new thing. So I tweaked the 1970 Jimmy Ruffin "The Groove Governor" artwork just for you all, just not to scare you away from a good thing...for the seasoned beat afficiando, just click the little picture to the left to view the original artwork in full size. :¬)
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nOvaMatic | 10/25/2008 at 12:15 AM | Comments (2) | Permalink
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ill Mami | 10/24/2008 at 4:30 PM | Comments (5) | Permalink
Do you remember last year when the FCC and radio broadcasters agreed to abide by The Future of Music Coalition's "Rules of Engagement," which sought to end the dirty tactics associated with payola? Remember the way we all laughed and grabbed our bellies at this ridiculous thing, since we all knew it was a crock of sh*t? Well, guess what? The agreement didn't work and payola is here to stay! According to a recent study, the indie labels that would've benefitted from this agreement are still being expected to hand over cash in order to get their stuff played on commercial radio. This means all the local and alternative artists that make way less money than their mainstream counterparts still have virtually no access to airplay. This is really sad and disgusting. [WIRED]
nOvaMatic | 10/24/2008 at 4:00 PM | Comments (1) | Permalink
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Under normal circumstances, this would be a First Spin, but just giving the song away, in this case, is counter-intuitive. You see, Usher has this new song called "Hush", and I would like for you to buy it. "Message Music" always toes the line between being extremely effective, or corny and reprehensible. However, because of the current political and social climate, these songs are more than warranted. And to Usher's credit, this isn't a song about voting for Barack Obama, so much as it is about getting off your ass and being a pro-active member of society. Usher says:
"'Hush' is about my awakening over the past 10 years to the social issues in our country and realizing that I have a voice. As Americans we have the right to speak out about slow recovery in the Gulf Coast, a long war and home foreclosures. But complaining isn't enough, you have to also take action," Usher says. "Whether serving at the homeless shelter or going to the polls for the first time, you have to act or else 'Hush,'" Usher exclaims.
So, buy the track. Do a bit of research into why this all began and put a little faith into Usher's intentions. Then, think about how you, Average Citizen, still have the power to affect change. [UNL]
nOvaMatic | 10/24/2008 at 12:54 PM | Leave a Comment | Permalink
Ro | 10/24/2008 at 12:00 PM | Comments (5) | Permalink
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Latest Album Reviews
A New Expansion Release,
The Re-Launch of Jazz FM,
And The Luxury Soul Weekender
Ralph Tee has been keeping himself busy with a number of activities coming to the forefront this month. Ralph has compiled a new collection for Expansion, “Soul Ecstasy” (Release Date 20th October). The album focuses on his formative years as a modern soul DJ from the latter 70s to early 80s. “On the surface it’s a collection of quality tracks neither previously available on CD or rare on CD, but I really wanted to put something together as an emotive journey through the spectrum of soul from an amazing period for our music”. The album contains Ralph’s 7” tweak of “Evening Of Love” (only available here on CD) and derives its title track from the Hubert Laws inclusion “We’re In Ecstasy” from 1978. “The track is a masterpiece and represents the epicentre of my musical taste – a rich tapestry of sophisticated soul and jazz”.
Expansion Records have joined forces with the new re-launched Jazz FM to bring you an astonishing 30 track, 2CD collection “The Sound Of Jazz FM” (Release Date: 20th October). Ralph Tee and Steve Quirk, who each return to the station with new shows, have compiled the project. Ralph’s Sunday Soul Show runs 4pm-7pm weekly (with a special guest appearance by Richard Searling at 6pm), while Steve Quirk returns 2pm-4pm Monday to Thursday with ‘Smooth Jazz In The Afternoon’ and Fridays 9pm-midnight with ‘Fusion Flavours’. “The Sound Of Smooth Jazz” is a mix of quality soul and smooth jazz from key artists integral to the new station. There’s a combination of classics and brand new music at an exciting time for our music. The station has brought back Robbie Vincent for a brand new Sunday show (10am-1pm) with Peter Young Saturday afternoons (3pm-6pm) and introduces Mike Vitti with his ‘Jazz Funk Party’ Saturdays 6pm-8pm. There is an massive launch campaign for the station that we hope will bring more people back to great music. You can listen on DAB, Sky Channel 202 and on line at www.jazzfm.com
Finally, the legendary Luxury Soul Weekender is coming up soon in Blackpool early January 09. All preparations are in full swing with Rashaan Patterson and Trina Broussard confirmed as acts. The events is always jam packed full with soul music lovers from all over the UK and beyond. Behind the scenes Ralph and Soulchoonz' Di-Lee are working on one or two small surprises too. So keep checking back on this site and especially on the Expansion page in our 'Artists & Labels' section.

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Birthday that I made. Lyrics: Verse 1: Im gonna sing happy birthday to you The thought of you brings me smiles, too And your smiles so beautiful Ooh, you birthday girl Today, I give you the world Now Im playing this song, singing this song, telling you girl that its your birthday Verse 2: Todays the day Everythings your way Here comes the gifts And every wish Now girl just close your eyes And with all your might Whisper a wish or two Now just open your eyes Youll realize That youre the little special birthday star Bridge: All I have to give Is my heart and my soul And my music to grow, beside you Through the good times, and the bad times, And Ill say it again and Ill say it again
Author: Aznballer817
Keywords: Piano freestyle happy birthday song neo-soul
Added: October 25, 2008

Organized by Nijoty Ariana | Type: Artist, Showcase
"The Big Pay Back" Block Party! Sunday October 26, 2008 Noon til 6pm.FREE-Indoor "Halloween Soul Festival" "Rock the Vote" & Food Drive"Get on the Good Foot!""Get out the Vote!""Give, to the Lo...
Organized by Power of the People Culture | Type: Fundraiser, love, fest, party, good, timesThe next edition of The Rendezvous will take place on Monday, October 27th and we are proud to announce that it will be sponsored by Bacardi Gold Live! In addition to the regular great live music f...
Organized by Marko Nobles | Type: Live, PerformanceE. Bland and Ra-Re Valverde, two rising stars on the indie soul scene will be featured on October 29th at the next "ONUTSS Presents..." event at Harlem's Billie's Black restaurant/lounge for all to...
Organized by Detrel & Pamela (ONUTSS) | Type: Listening, Party/Performance
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Labels: gigs



Menahan Street Band: Montego Sunset + Going The Distance
From Make The Road By Walking (Dunham/Daptone, 2008)
While instrumental soul isn't typically my favorite sub-genre of soul, MSB's 35-minute album Make The Road By Walking is a consistent effort, with Daptone continuing to pump out solid full lengths to extend their reign on the retrosoul scene.
Jay-Z and his musical team found the sounds of MSB to be soulful enough to sample for the hit “Roc Boys.” On the album the original is presented with a slower tempo. Following is “Tired Of Fighting” where the horns take a back seat. If crooning is your thing, this song can be heard with vocals on the 45 with Charles Bradley in a renamed form called “The Telephone Song.” I really dig the congas on this track... they're not overt but add a nice complement to the thump of the rest of the percussion.
“Home Again,” reminds me of Young Holt Unlimited's breezy groove. With its intro guitar lick, I can hear The Avalanches using it for a future mix. Throughout the album, MSB sprinkles in different rhythms: on “Birds,” with its pulsating bass, where they switch to 6/8. The reggae rhythms of “Montego Sunset” making me think back to a beach party I attended in Jamaica a couple years ago. Drinks were abound during this great feast and the band just partied on late into the night. I didn't even care that my flight left early the next morning; I was too busy enjoying the music and the mood it put me in.
My personal favorite on the album is their spin on the Bill Conti classic “Going The Distance” from Rocky. Call it nostalgia if you will, but it takes me back to being 12 and catching the movie on cable on a Saturday afternoon. While it foregoes the dramatic strings, the layered horns give it a regal tone showcasing what they do best in triumph.


Labels: in memoriam, soul/funk
I was watching Almost Famous on HBO the other night (again) and it has two of the best "use of songs in a movie" examples I can think of and that got me to thinking about other moments like that. I threw together a list of what immediately popped into mind though there were some stuff I left off for just being too obvious (basically, any Scorsese film and Pulp Fiction too).
Labels: videos


David Axelrod: One
David Axelrod: Go For It
From Seriously Deep (Polydor 1975)
1975 was a funky year for music, and not in a good way. It was after the last true r&b records were released, before disco, and in the midst of jazz being lost in fusion. Digging through records from that year, I wonder what happened to the soul. But in this darkness there are some lights, the occasional find that shows there were grooves to be played that could bring someone deep. David Axelrod's Seriously Deep was released on Polydor that year, the only of his albums to come out on that label. It kicks off with open drums in "Miles Away" that let you know there will be some true funk goings on here. Recorded with a full array of Los Angeles studio musicians, it veers away from his early work for Reprise and Capitol, being less orchestral in nature and more straight jazz-funk. There are the tangents that stray a little too far into fusion (I wish that Joe Sample had been asked to lay off the spacy "Odyessy Keyboard" a bit more), but there is a lovely, warm feeling throughout with horns, congas, and guitars keeping a solid groove that would've made for standout blaxploitation-style funk just a couple of years earlier. "One" is lovely and makes me want to go for a drive in L.A. with "Go For It" could've been playing in a particularly sweet dream I had the other night.
1972 on the other hand seemed to be a year where soul and funk filled the air in a way that artist after artist could grab at it and come up with something good, deep, soulful, and meaningful. That was the year that the vocal quintet The Dells, with the help of Charles Stepney, recorded and released The Dells Sing Dionne Warwicke's Greatest Hits for Chess Records. Featuring a thick roster of great Chicago soul men, including Phil Upchurch and Derf Reklaw, the Dells dived head-first into records -- all written by Burt Bacharach -- that had already been hits in softer and sweeter versions by the to-be host of Solid Gold. However, Stepney and the Dells are able to keep them sweet while also making them gritty. Unfortunately, since we are looking back at this record from today, we have to deal with the fact that a bunch of these Bacharach tunes have gotten stuck in our heads through popular versions by the likes of BJ Thomas and The Carpenters. It's hard to hear even this team try their hands at "Raindrops Keep Fallin' on My Head" and "Close to You." But the burners are here, too. The opener "I'll Never Fall in Love Again" and "I Just Don't Know What to Do with Myself "are so worth the price of admission, that the failures can be overlooked and the other sweet tunes feel like icing on the cake. "I'll Never..." opens the album with a bass/piano/singing moment that will stop you from being able to do whatever you may be doing and drop you right into some deeper part of your being. "I Just Don't..." starts off with a bassline that lets you know something explosive is about to pop and picks up from there, going full-tilt congo wah-wah funk. Stepney throws in strings and all sorts of sweet sounds throughout creating an album that would be suitable for both a late Saturday evening/mid-morning Sunday groove.
Benge is the urban music director at WRUV-FM in Burlington, Vt. where he's spun every funky thing under the sun on his show, Sex Fly, since 1991. He also happens to be an Archetypal Dream Worker for North of Eden. Somehow the two are connected.



Labels: covers, in memoriam, reggae, soul/funk

Labels: boogaloo, covers, disco, int'l, james brown, jazz, latin, mixtapes, reggae, rock, soul/funk
Dear SoulTrackers!! I am so very excited to present to you,my 7th solo CD, Metamorphosis!! This album is my BEST so far and I am so proud of it! Some of it you will "get" right away..some of will grow on you, but all in all I just know you will love it! With the exception of the song "Happy Feelings," I sang every note, lead and backgrounds, and the melodies, scats and lyrics are straight from my soul, therefore making this my most personal and revealing musical journey...
Tony Rich burst onto the music scene in 1995, topping the charts with his brilliant debut single, "Nobody Knows" and winning a Grammy Award for the associated album, Words. But while he continued to record his own new albums, he spent most of the next decade writing and producing for other R&B and Gospel artists.
Now the talented Mr. Rich has returned to the forefront with his Hidden Beach Records debut, Exist, a terrific new disc that had us thinking maybe it was time to catch SoulTrackers up on this fine singer-songwriter. We have a review of Exist, a new interview with Tony as well as a special sale on Exist through Hidden Beach Records as our CD of the Month.
.
by vivrant thang on all about me
This past weekend was one of the best I’ve had in a long time.
Friday evening, I took myself to see Tyler Perry’s new movie, Family That Preys. LOVED. IT. And I’m far from a Tyler Perry fan. This is only the second movie of his that I’ve really enjoyed. (Why Did I Get Married?was the other). So believe me when I say, support this movie. Maybe then we will see less of Madea and her tomfoolery.
Saturday, I went to the Kennedy Center’s Open House, a day of exposure to all the artistic, musical and cultural offerings of this historic institution. It made me smile to see all the families out with their small children who were playing with musical instruments, drawing, and participating in other creative outlets.
However, the top item on my agenda was to see Algebra Blessett perform. I’ve been a fan for a while now but I’ve never seen her live. I have her last album, Purpose, and I have to admit I wasn’t feeling it save a couple of songs, “Run and Hide,” and “What Happened.” So I was especially anxious to see her live performance. As I’ve mentioned before, a great stage show can turn me from a fan into a stan. She did not disappoint. Check out her reggae-flavored version of “Run and Hide,” complete with a side of Bob Marley’s “Waiting In Vain”and Jazmine Sullivan’s “Need U Bad.”
I got my album signed and also took a picture with her. We got that glow like Shonuff and Leroy, huh?!
On the way home, I popped the album back in and sure enough, I gained more appreciation for it. I definitely still have my stand out tracks, mostly on the first half of the album. Algebra will be on my list of artists to support whenever she is in my area.
That same day, I moseyed on over to the Silver Spring Jazz Festival. I was there to finally catch Marcus Johnson Project, one of the premiere jazz acts out of the DC area. I’ve been in the area almost ten years and I have never managed to catch him live. I’ve been sleeping. He had me grooving out there under the stars along with all the other jazz aficionados. Clearly, I’ve been sleeping.
I wasn’t able to get many videos as taping wasn’t “allowed” and I was too mellow to don my undercover operative hat. Here he is covering Floetry’s “Say Yes.” Sax man Marcus Anderson came up from North Carolina to sit in on the set.
Ironically, what made these days so wonderful for me is that the only company I had for the majority of the weekend (other than fellow music fans) was me, myself and I. I was telling my mother that I think I’m beginning to enjoy my own company a bit too much - especially after my solo vacation! I just loved be-bopping down the street at my leisure and doing what I wanted to do in my own time without having to take anyone else into account.
Although I ended the weekend by joining a fabulous group of women for the first meeting of our new Sunday Brunch/Dinner group, the still that time spent alone. Although I’m an extrovert, on occasion “me time” is just what the doctor ordered.
*Note: Raphael Saadiq concert review coming up on Wednesday. I know, a date late. coming very soon. I blame football. Meantime, cop The Way I See It, which is in stores TODAY.
by vivrant thang on old school fridays
I went way overboard with this one. Just been that kind of week and I needed some good music to get me through.
This week’s theme was remakes. So many places I could have gone with this. The first artist that entered my mind was the King of Remakes, Luther Vandross. Once he remade a song, it became his. A lot of people have been surprised to know that many of their favorites were not his.
I needed some inspiration and found it here and here. I decided to weigh in on which version is my favorite. Some of my choices will probably be blasphemous. Feel free to add your two cents in the comments.
Sara Smile (Hall and Oates v After 7)
Although I LOVE After 7’s version, there’s just something about that blue-eyed soul. Besides, H&O’s version is one of my top fifty songs.)
As We Lay (Shirley Murdock v Kelly Price)
Really like Kelly’s video for this one, especially having Shirley make a cameo. However, this will ALWAYS be Shirley’s song. I really think she recorded this the second she got up out the bed with ‘Husband’)
Killing Me Softly (Roberta Flack v L Boogie)
This might draw some criticism from the few old heads that visit, but I fell in love with L Boogie’s sweet alto on this one. This became my version.
In the second video, Roberta joins the Fugees for the performance, which says a lot. Now that is the perfect combination.
Sweet Thing (Chaka Khan& Rufus v Mary J Blige)
This remains Chaka’s song…if only because she is SLAYING them in that red dress. Another off of my top fifty songs list.
Love Don’t Live Here Anymore, (Rose Royce v Faith Evans w/ Mary)
Don’t beat me down old folks but I got to go with Faith on this one. She got Mary on the joint too! Another perfect combination! Admittedly, I’m biased. Faith is one of my all-time favorite albums from start to finish.
Ain’t No Sunshine, (Bill Withers v. Michael Jackson when he was cute)
Michael’s version is so sweet. But Bill will always own this song. No one else can capture that distinctive sound. I’d like to see the Anthonys give it a try - that would be David and Hamilton)
Head on over and check out the other participants. This is a great theme this week and I KNOW you will enjoy what they come up with.
Electronic Village | Chatting Over Cocktails | Mrs Grapevine | Quick | Marcus LANGFORD | Cassandra | Danielle | Lisa C | Chocl8t | DP | Kreative Talk | MarvalusOne | Regina | LaShonda | AJ | Sharon | Invisible Woman | Believer 1964 | Dee |SJP | sHaE-sHae
by vivrant thang on what about your friends
What about your friends will they stand their ground
Will they let you down again
What about your friends are they gonna be low down
Will they ever be around or will they turn their backs on you
I know a sista has been a little scarce around these parts over the last couple of weeks or so - slacking in the comment response and such. I still love ya’ll but I have been going through a couple of things, as you can probably tell by today’s ’song in the key of my life.’
True friendship has always been very important to me. Over the years, I have had lots of associates and activity partners as I’m the type of person people are drawn to. However, I can count the number of true, ride-or-die friends that have come into my life over the past 30 3/4 years - that are still in my life today - and have plenty of fingers left over. And that’s okay. I don’t think you need that many.
My best friend and I met during our sophomore year of college. Our friendship has certainly been battle tested, but she has truly been there for me and I know she’s real. She actually introduced me to another woman and our friendship grew to the point that I just knew she would be one of those lifetime friends. She was there for me during the break-up last year (one of the people who kept me from catching a case). She encouraged me when I thought I would never escape from the mental imprisonment that was my former job. I have been there for her over the past few years that we’ve known each other in similar ways.
Our relationship has mostly grown over the phone because we’ve always lived in different states and have never had the chance to hang out extensively. Recently we had the opportunity to spend some time together and let’s just say, a sista’s eyes were wide open when she boarded the plane back to DC.
Let me explain. This is a bit uncomfortable for me to talk about because I’m a modest woman. However, this is also something that my mother has had to deal with all of her life and it’s the reason why at 61 years-old, she does not have any female friends. Not one.
Jealousy.
Whether it’s the way she carries herself, the way she dresses…or simply who she is, she has always drawn insecure women to her that eventually hurt her in a major way because they were jealous or envious of her. Yes, a couple of them have admitted it to her after the friendships were over.
Appears I’m following in her footsteps…at least with this friend.
Two weeks before my birthday, she did something to me which I will eventually forgive, but never ever ever forget. As a result, the friendship is over. Has to be - because the trust and respect I had for her is completely gone. (Yes, this was a biggie.) I never thought that she was the type of woman to let her insecurities get the best of her to the point where she would intentionally do something as hurtful as she has done to someone that is supposed to be friend.
This isn’t an easy thing to admit but when I was heavier, I had some of those same insecurities. So besides the fact that I am highly intuitive, I recognized what some of her behavior was really saying when we were hanging out because I’ve felt a lot of the same things. However, I have never let those feelings cause me to hurt my true friends intentionally.
Luckily, although I’m not religious, I am spiritual and I do have faith. I definitely believe in everything happening for a reason and that life’s events, good and bad, are all part of a larger plan. I know that there’s a reason why this happened and I am just waiting for the lesson to be revealed.
Folks, even if you don’t have romantic love in your life, please cherish your true friendships. They are hard to come by - and even harder to keep.
Enough of this shit.
Be sure to stop by tomorrow to celebrate the birthday of the 8th Wonder of the World - none other than Mr. Stevie Wonder! You know we gonna part-tay up in this joint! No Stevie, no Songs In The Key of Life. So ponder your favorite Stevie joints tonight, as I know you have many, and be ready to share with me tomorrow.
If you’re celebrating Stevie on your blog tomorrow, be sure to leave a note in the comments so I can link you up.
by vivrant thang on old school fridays
Once again, it’s on. This week’s theme is music we love from some of our favorite films. I’m a HUGE movie buff so I really could have gone crazy with this. I’ll probably return to it in a later post.
My first selection is from the soundtrack of Love Jones, one of my all-time favorite movies - and soundtracks for that matter. The movie came out in 1997, which would make it ineligible for OLD School Fridays. However, there was one song on there that is certainly old school and one of my all time favorites. It elicits so many emotions in me every time I listen. I just have to stop what I’m doing and….feel. I meant to post it during Jazz Appreciation Month (which I let slip by…where did April go?) Better late than never.
Enjoy “In A Sentimental Mood,” a collaboration by two of THE best to ever do it, John Coltrane and Duke Ellington.
I’m going to switch it up a bit for my other two selections. I absolutely love 70s blaxploitation films. I have a whole collection of them, including most, if not all of Pam’s Grier’s work. That was one badmamajama. Kicking ass and taking names - all while looking fierce. My shero!
I decided to go with two songs from one of my favorite 70s films, Superfly. That was a badasssss soundtrack and Curtis Maryfield is a badmutha…shutyomouf!
Superfly
Freddies Dead
What the hell. Before I go, I have to give it up again for my man, Bilal who started my week off right with a hell of a performance on Sunday night. This is not old school so consider it a bonus track.
From the soundtrack of another of my all-time favorite movies, Love and Basketball, and from my top fifty songs list, here is “Soul Sista.” (I captured the live performance of this song from Sunday’s show during which soul singer Ledisi joined him. Absolutely sick. Stay tuned.)
Hope you enjoyed my trip down movie memory lane today. If you’re not an OSF participant, share some of your favorite old school movie soundtrack songs in the comments.
Head on over and check out the other participants. This is a great theme this week and I KNOW you will enjoy what they come up with.
by vivrant thang on all about me
You may not have a car at all
But remember brothers and sisters
You can still stand tall
Just be thankful for what you’ve got
Diamond in the back, sunroof top
Diggin the scene
With a gangsta lean, wooh-ooh-ooh
The lovely spring weather in the DC area has me playing my personal summer soundtrack a little early. Since I got back in town, William Devaughn’s “Be Thankful” and Roy Ayers’ “Everybody Loves The Sunshine” has been on repeat on the Ipod.
Figures the weekend weather would be better here than at Derby. I wouldn’t say I balled out of control, but had a good time at the parties I did attend - admittedly it was largely due to the open bar! I visited Churchill Downs before race day and took a few pictures. Watched the races at a cookout, but for me, it was overshadowed by the poor horse that had to be euthanized right there on the track. It was hard to watch Big Brown’s people celebrating when a horse was over there being killed. I don’t fly the PETA flag or anything and I’m not even remotely an animal lover. However, all that carrying on just didn’t seem right.
In any event, I feel so thankful to have been able to get away exactly when I needed to - in this economy. I’ve had so many things on my mind lately - the direction of my career and my side hustle, moving ahead with my five-year plan, whether the therapy is helping, letting go of the past, relationships / marriage / sex. Might sound crazy but I just don’t like having all of that on my brain at once. Not trying to think that hard. It’s exhausting. So for a few days, I just needed to put my freakum dress on and let go.
The same night I returned, I headed out to see Bilal in concert. When I first heard he was coming to town on the day I was getting back, I went into panic mode wondering if I would make it back in time. Wouldn’t have mattered though. Nothing but death would keep me from it. It was a hell of a show, as if there was any doubt it would be. I’ll share the videos later when I get my technical difficulties cleared up.
Actually, the best part of the evening was meeting one of my readers! W